為了將這份被山水人文釀成的詩情鐫刻進設計的內核中，酒店設計師在全日制餐廳、接待廳及包房的設計中融入彝族人民把酒言歡的各色場景，以赫章出土的珍貴酒器紋飾為靈感，將古老彝族的饕餮紋、火鐮紋應用于柜面和墻面的裝飾中，形成別具一格的紋樣藝術風格，再現詩酒縱情的“夜郎盛景”。
The designer incorporates many scenarios of Yi people enjoying fun and drinking in the design of restaurants, reception halls and private rooms in order to incorporate the lyrical mood created by the landscape humanities into the core of the architecture. The designer uses the gluttonous pattern and sickle pattern of the ancient Yi people to decorate cabinets and walls, drawing inspiration from the priceless wine decoration discovered in Hezhang. This created a pattern artistic style of various patterns and replicates the “Yelang Scenery” of poetry and wine indulgence.

建筑是社會經濟文學藝術的集中體現，不同民族、不同地域，有著不同的建筑文化閃光點。對于夜郎民居建筑文化的研究，從前僅見以赫章可漢墓出土的陶房模型為據，酒店設計繼而推知夜郎民居住房為“干欄”建筑。史籍中對干欄建筑特點的記載有三：“依樹積木”、“巢居”、“架房舍于棧格上”。接待廳的壁畫以此為主題展開描摹，完美還原了夜郎百姓的生活場景。

Architecture is a concentrated expression of social economy and literature and art. Different nationalities and regions have different architectural cultural highlights. For the research on the architectural culture of Yelang folk houses, it was only based on the pottery house model unearthed from the tomb of Hezhang Kehan, and then deduced that Yelang folk houses were "Ganlan" buildings. There are three records on the architectural characteristics of Ganlan in historical books: "building blocks by trees", "nest dwelling" and "building houses on stacks". The murals in the reception hall depict this theme, perfectly restoring the life scenes of Yelang people.

漢陽廳的設計發(fā)想于太白詩作《醉題王漢陽廳》，酒店設計師以浮雕藝術重現了“昭昭晴川，歷歷樓臺”的壯闊遠景，使可供親朋故知齊聚的開闊空間更具“高臺喟嘆，把酒臨風”的風雅意趣，塑造出“取醉月中歸”酣暢氛圍。